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48 downloads Views KB Size Report Bastard out of Carolina: (Plume Essential Edition) Bastard Assistent The Bastard Assistent Goes Overseas. DOS LISON BASTARD OUT OF CAROLINA A PLUME BOOK PLUME Published . They tried to get away with just scribbling something down, but if the hospital And Aunt Alma tugged a few of Reese's springy long curls free from the rags. Editorial Reviews. From Publishers Weekly. Allison spikes her critically acclaimed first novel, Download it once and read it on your Kindle device, PC, phones or tablets. Use features like eBook features: Read with the free Kindle apps (available on iOS, Android, PC & Mac), Kindle E-readers and on Fire Tablet devices.

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Read "Bastard Out of Carolina A Novel" by Dorothy Allison available from Rakuten Kobo. Sign up today and get $5 off your first purchase. Download Read Ebook Online PDF Epub KINDLE Bastard Out of Carolina by Dorothy Allison Bastard Out of Carolina by Dorothy Allison Free Download PDF. "As close to flawless as any reader could ask for." —The New York Times Book Review "An essential novel" – The New Yorker The publication of Dorothy.

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Very often there is a special child who is the object of all of the abuse while others are untouched. Bone was that special child in her family. The emotional damage done to Reese is undoubtedly severe even though she was spared the physical and sexual abuse. Child abuse has a strong blame-the-victim component. The need to make my world believable to people who have never experienced it is part of why I write fiction.

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I know that some things must be felt to be understood, that despair, for example, can never be adequately analyzed; it must be lived. But if I can write a story that so draws the reader in that she imagines herself like my characters, feels their sense of fear and uncertainty, their hopes and terrors, then I have come closer to knowing myself as real, important as the very people I have always watched with awe. By the time I taught myself the basics of storytelling on the page, I knew there was only one story that would haunt me until I understood how to tell it—the complicated, painful story of how my mama had, and had not, saved me as a girl.

Writing Bastard Out of Carolina became, ultimately, the way to claim my family's pride and tragedy, and the embattled sexuality I had fashioned on a base of violence and abuse. Reading the online essay from which those paragraphs are taken, will tell you much about Dorothy Allison and her writing. It hurt to read parts of this book. I had ruined everything. It made me remember being a child and playing with a gang of kids in my neighborhood.

It reminded me of the strength within a family, even within a troubled family. The Boatwright clan of Greenville County, South Carolina has to be your stereotype of an extended family with boatloads of hate and more boatloads of love. To call them a dysfunctional family is too neat and tidy a summary.

Their interactions with anyone outside the family are limited, at least according to Bastard Out of Carolina. Lots of parents and grandparents and sisters and brothers and in-laws and nieces and nephews and cousins populate this book.

The outsiders are medical people we meet at the hospital when the Boatwrights hurt each other enough, a nearby family with an albino daughter who vie for an oddity award, the law for when a Boatwright gets involved in something illegal common but still the family tries to deal with its own infractions , the people in the diner where Mama often works.

There is a family album with the newspaper articles about the family — mostly things that you might not think people would be proud of. The newspaper photo of the pick-up truck that a drunk Earle drove through a barber shop window is a good example. The book will tell you, of course, that this is a book for fiction and any resemblance is coincidental! This is the sister who loved her husband so much that she wanted to cut his throat with a razor.

The implication is that Bone forgives her mother although the mother and step-father move away from the area and Raylene, the gay aunt, says her mother will never forgive herself.

Raylene knows this from her personal experience of having a lesbian partner choose her baby over Raylene. This is divulged at the conclusion of the book. Nothing should be a surprise since Raylene is, above all, a Boatwright. If Bone is Dorothy Allison, the psychiatric bills must be immense. But she did become a pretty good writer — at what cost, I ask. The book is dedicated to Ms.

You feel yourself right there in the midst of their craziness. As a result of my child protective service experience several years after I got out of college, I am very sensitive to what Dorothy Allison writes. She is a remarkably courageous person to expose herself as she has.

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Even after all these years, I came face to face with the stress that made me transfer out of that CPS job after two years. This is a very well written book even beyond its confrontation with the horrors of child abuse. You want to be more positive but the conclusion hammers home the damage done by the events, however fictional, in the book. You just want to give her a hug. And that is what Raylene does. Five stars. View all 3 comments. Nov 15, Jon rated it really liked it.

The novel opens with the birth of main character and narrator of the story, Ruth Anne nicknamed Bone , the illegitimate daughter of a year-old member of the dirt poor Boatwright clan. Another piece of trash barely knows enough to wipe her ass or spit away from the wind. She was born into a poor, white trash family and was the illegitimate daughter of a year-old waitress. Bone and her family were often unable to pay their bills and moved from one ramshackle house to another after being evicted for not paying rent.

This passage succinctly sums up the effect of such an unstable, rootless life on Bone: We moved so often our mail never caught up with us, moved sometimes before we'd even gotten properly unpacked or I'd learned the names of all the teachers at my new school.

Moving gave me a sense of time passing and everything sliding, as if nothing could be held on to anyway. It made me feel ghostly, unreal and unimportant, like a box that goes missing and then turns up but then you realize you never needed anything in it anyway. Her dialogue rings true and the large extended family in her book are all well characterized and feel like real people. It would be easy to portray him as a monster, but even though he does monstrous things, Allison writes him as a flawed and deeply troubled man and gives some context or reason for his actions.

If he loved me, if he only loved me.


I drummed my fists on the porcelain walls of the tub, shook my head and howled underwater, came up to breathe and went under to whine again. However, there are some bright spots in the novel. Allison does a good job of showing a large extended family and how they rely on and help each other.

View all 13 comments. Feb 02, A. O'Malley rated it it was amazing. I just read this for the second time. When I was still at home, still under his roof. I saw the film adaptation of Bastard Out Of Carolina. We all did; my mother, him, the boys we watched it together in the living room. I laid on the floor in front of the TV and felt all the muscles in my body tense and a hot flush go through me as I watched the story of Bone , the bastard girl.

Her mama married a man—after a hard life, he was her second chance—and then her mama stood by as that man hurt Bone. H I just read this for the second time. He terrorized her and told her she was nothing, hurt her over and over. That is me, that is me, that is me. I thought as I laid there, my tormentor, my step-father made derisive comments to the movie—I fantasized for the thousandth time standing up with power; 6 feet tall, armed, blazing.

I imagined stabbing him in the heart, ripping him to shreds, tearing him into tiny pieces. I laid there and tried to block out his voice, tried to build an invisible wall between us.

I feel flushed and triumphant. I feel that justice like no other justice has ever been served. I was out of the house just a couple years, safe from him but filled with rage—not safe from myself—when I read the book by Dorothy Allison. This time, when the uncles beat Daddy-Glen I just felt sick jealousy. I have four uncles and they pretended that nothing was wrong. It was the book, page , near the end after Bone has been beaten and raped and her mama has left her to be with Daddy-Glen that I read the words that have been the only explanation that could ever come close.

I met Dorothy Allison many years later, I waited in line while she signed books and flirted with people. My guts were all jumbled up, I was in line with a friend and I could hardly hold a conversation with her—my eyes were just on Dorothy. I needed so badly to somehow let her know that that line on page of B. I got close, I held out my book with shaky hands, I fumbled my words—told her how much her work meant to me, how it had changed my life. Dec 02, Jim rated it it was amazing Shelves: Took the shine off my teeth, this one.

But also made me want to torch every bottle distributor truck in the Carolinas just in case it might slow down that piece of work Glen and his damn fool wife. Forget about burning down the Greenville courthouse.

Bone had the right idea when she went up on the roof: I read this slow. Slow and stubborn, which felt just right.

And now I'm snake-bit: I need to hear more from Granny about what Took the shine off my teeth, this one. I need to hear more from Granny about what don't count except as bullshit and apple butter; I need to hear more of that gospel atheism from Earle; more from Raylene about the irrevocable choices we make when love seems like a tap running dry.

That Raylene, she figured out what Bone's mama never could rise to. Tell me, is there a love knot I can bury as an antidote to the horror in this book, or to call up a breeze wicking away the sweat of rage because I hope it might could cool Bone and me both?

Or as a tonic for the country gospel throat, because I need to hear Bone sing again? I don't know. All I know: I never before heard truth said so strong, so beautiful, so brutal. View all 5 comments. Bastard Out of Carolina is one of those books about which all of the hooplah surrounding it really baffles me.

Allison basically plagiarizes herself by, instead of expanding what was a quite good short story she wrote and published in High Risk: An Anthology of Forbidden Writings, simply cutting and pasting sections of it throughout the book I actually went through it and identified the sections because I could scarcely believe a serious author would do something so incredibly lazy. The final Bastard Out of Carolina is one of those books about which all of the hooplah surrounding it really baffles me.

The final product was somehow a finalist for the National Book Award, and I think that had much more to do with the content than with the artistic merit. The bummer here is that if Allison had proceeded with patience and discipline, with this as a decent first or second draft, this could have been a soulful and affecting novel more powerful than the resulting convincing but two-dimensional screed. Dec 11, knig rated it it was ok Shelves: Over a pint.

There is, forsooth oops, there I go again , no White Trash qualia here at all. No madness, no real violence save for two scenes towards the end , no drunkenness, no nothing. But Allison: Does this sound like a twisty snake?

Does throwing in a rape scene willy nilly as an afterthought satisfy the criteria for successful character development? Here is a woman who tries her best to protect her children all the way throughout until the very last moment, when for no rhyme and reason, and mind you after walking in on Daddy Glen in flagrante delicto with Bone, decides to abandon her two daughters and run off with this fine specimen of a man into the sunset.

And its not that final act of unbelievable gauche which rankles me, but rather the lack of any characterisation or build up whatsoever to lead to such a denouement.

A total, utter train wreck from start to finish. View all 33 comments. This is a brutal life we live. For those who say they love us, how can we really know unless they share it in a loving manner.

We trust these people, these adults who we admire, who we believe will keep us safe. These loving actions and words can easily turn into anger and bring out the monster within. When all you know is ugliness, you become ugly. Ugly, ugly, ugly. The last pages made me feel anger, disgust and an anxiety that knows no comparison. Some have shared their opinions about this This is a brutal life we live. Some have shared their opinions about this being a disgusting piece of literature and being overdone with its graphic nature.

To those people I shall say: Life is disgusting, life is full of all the anger and ugliness I display above. If we only look at the positive side of life, then we miss out on what lurks below; what we learn through our experiences makes us who we are and what we will always be. We always have that choice to let go of the past, but the past is always in us, never letting go.

God damn, this was rough as guts. Make no mistake: The last 30 pages were almost too hard, but who could leave then? My jaw - even my teeth - hurt for several hours afterward from clenching.

If I said I'm "glad" I read this, I would be putting it in the wrong light. Gladness cannot enter into it. The best writers write what they know. Dorothy Allison was an abused child and this debut comes from what she knew. In the Afterword in this edition, she writes that this is not an autobiographical novel. She was no Make no mistake: She was not Bone Boatwright.

There is a difference between fiction and nonfiction deeper than technique or intention. I value both but genuinely believe that fiction can tell a larger truth.

I have built my life on what I learned in books that took me inside characters whose struggles and dilemmas revealed intricate and astonishing things about human character.

Many years ago, when I had been called for jury duty, a friend told me she could never serve on a case that involved abuse or rape. I was reminded of this when, again in the Afterword, Allison relates some of her fight in Maine against censorship of this novel.

Bastard Out of Carolina by Dorothy Allison

In that gymnasium in Maine, I heard people speak about their horror, the horror that their children would be told stories they did not want them to know. I understood too much of that—the desire to inhabit a world in which terrible things do not happen, and therefore do not have to be explained.

I want a world in which no child goes hungry, fearful, or ashamed. Given the subject of this novel, it seems almost trivial to mention plot, prose, and characterization, but I almost never leave those unsaid. The prose does what it is meant to do, but there are no beautiful sentences here, no stellar vocabulary. There is plot only in the sense of "this happened" and "that happened" and all of that made me somewhat angry, but mostly very very sad.

What is worth noting is characterization. Allison takes even the minor characters beyond mere caricatures. I haven't looked at any others by this author. I don't know if I will. It was such a hard read, I'm certainly not ready for another any time soon. But that is not because this wasn't good. It was good. I was boiling inside. I was cooking away. I was who I was going to be, and she was a terrible person. Narrated by Ruth Anne 'Bone' Boatwright, this a harrowing story of a dysfunctional but loving 'I had wanted to laugh at everyone, Raylene and the nurses, all of them watching me like some fragile piece of glass, ready to shatter around boiling water.

Narrated by Ruth Anne 'Bone' Boatwright, this a harrowing story of a dysfunctional but loving Southern American family that will find itself torn apart when Ruth's Mother falls for a monster of a man called Glen Waddell.

Bone who does not know her real father, has a really big family with the women who tell the most amazing stories while the men although having there faults such as being heavy drinkers are lovable rogues who just adore Bone.

In a way the story far from a coming of age story is a tribute to her large cracker family. Bone's mother means the world to her and she wan't to do everything to make her happy so when a new man comes into the family home things seem good with Glen being a loving person who want's to be a husband and a father. But after the marriage things will change as his abusive side shows through in scenes that are truly heart wrenching and will have a terrible effect on Bone as her happy childhood is replaced by fear and anger.

Slowly Glen will drive the family apart as they move away from the ones they love and despite the family suspicions of Glen, Bone will not tell the truth as negativity overcomes her.

The even-handed description of the dynamics that permit the outrages to be denied, and so continued, is what puts the novel into a class of its own.

I will be honest and say i have never read a book were i was so much in dread of turning the page thanks to the sheer honesty of the prose that pulls no punches in describing what it can be like for a family in crisis. I felt at times helpless and wanted to put myself between Bone and Glen to protect her. I also hated the mother with a passion, especially at the end when she will show her true colours.

Despite the grimness of it all i was left with great hope for Bone thanks to the wonderful narration as confusion moves to clarity. This is undoubtedly an important book that would be a great comfort not only for people who are going through similar experiences but is true eye opener for anyone who reads it.

This is a book that just needs to be read, it is that simple and is easily one of the best books i have read this year. View all 11 comments. Oct 26, Sue Davis rated it it was amazing Shelves: This is one of the most heart wrenching, shockingly sad novels about poverty, family interaction, dysfunction and abuse that I have read recently.

For me Allison's treatment of class and gender and, to a lesser extent, race always there in a southern novel makes Bastard Out of Carolina such an important contribution to southern literature rather than just a very sad story about an incredibly feckless mother. A quotation that captures the theme of class and race in the context of southern histo This is one of the most heart wrenching, shockingly sad novels about poverty, family interaction, dysfunction and abuse that I have read recently.

A quotation that captures the theme of class and race in the context of southern history that dominates the novel: Reading Gone with the Wind with photos from the film, Bone "looked up from Vivian Leigh's pink cheeks to see Mama coming in from work with her hair darkened from sweat and her uniform stained. A sharp flash went through me. Emma Slattery, I thought. That's who I'd be, that's who we were. Not Scarlett O'Hara with her baking-powder cheeks. I was part of the trash down in the mud-stained cabins, fighting with the darkies and stealing ungratefully from our betters.

Stupid, coarse, born to shame and death.

Bastard out of Carolina

I shook with fear and indignation. For their part, the women get old while still in their 20's from too much poverty, too many children, and so much underpaid or unpaid work trying to take care of their men and keeping their families together. For me, the overarching theme of the novel is the gender dynamic in which the women struggle to survive while the men drink, steal, and fight. I was struck by the way both men and women of all ages seemed to accept those roles--boys stealing, girls quitting school and having babies while still practically babies themselves.

Bone's overwhelming anger can be viewed not simply as her reaction to the unbearable abuse on the part of Daddy Glen and her mother's stupidity, but more broadly as her response to finding herself in so many situations that she couldn't understand--physical and sexual abuse, of course, but also, her own sexuality, her aunt's death, her other aunt's breakdown, her uncles' conflicts with the law, and still another aunt's sexual orientation. Jun 23, DeMisty D.

Recommended to DeMisty by: Nick Spencer, a really neat peson. All the trials and tribulations of growing up in a single family household, crazy extended family, young mother, et cetera. Her mother marries then is widowed I think this is all before the mother is 21 , marries again to a man that beats and molests Ruth Anne, nicknamed Bone -- narr and our hero -- repeatedly. The molestation is silent almost throughout, but the beatings are found out relatively early by the Bone's mother when Bone has to go to the hospital.

They find out, though, and beat the hell out of Glen the step daddy for beating her. A few things I liked: The candid look at childhood sexuality, masturbation, and rape fantasies. I liked how they were only described and not explored. Nicely done. The vignette style was nice. The immediate family situation was the overarching story, but I loved the little stories that only sometimes clearly added to the rest of the novel. It did mimic growing up: There were a lot of red herrings, but I sometimes liked that they were never realized.

Although there were five hundred characters, I liked the characters. I thought they seemed well-developed, enough so that for the most part, I recognized the names when they repeated after chapters-long hiatuses. I also did not think that there were too many that the novel depended on them, but I sometimes got tired of the lists of gospel and country singers.

Some of the language was over the top, but there were a lot of niceties. I really liked the freedom to be ugly, evil, and mean. That was done well and, often times, done unapologetically. The constant use of the word nigger.

I grow very suspect whenever someone uses it so freely behind the guise of art. Also, Bone seemed to have an affinity to every black soul she came across, however briefly and silently. That was one of the red herrings. Some of the dialect seemed over-the-top. Everything seemed affected. I don't want to say what happened, but I do want to say, "what the hell was that about? It all felt a little flat on purpose. So what? I kept asking. Since there were so many red herrings, so much left to assumption or speculation, it was hard to understand what exactly Dorothy Allison had in mind when writing it.

It's and a lot of poor Southern white folks have a hard time. And poor Northern white folks, too, for that matter. I enjoyed all of the music references, and how song, many times, moved the story along. But lately, my obsession has been food. I liked the way Allison used food as medium in the book: A couple of interesting quotes: I sang along with the music and prayed for all I was worth. It sounded like a good idea to me.

View 1 comment. I really hate to say it, but I struggled a lot with this book. Maybe I was a victim of hype, but I found this really difficult to get through. The book is semi-autobiographical, and follows the child narrator Bone, and illegitimate child who suffers both physical and mental abuse at the hands of her cr I really hate to say it, but I struggled a lot with this book. The book is semi-autobiographical, and follows the child narrator Bone, and illegitimate child who suffers both physical and mental abuse at the hands of her cruel stepfather.

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She is angry, isolated, and hurt, despite being surrounded by a myriad of family members, and her mother is blind to the abuse because of her love for 'Daddy Glenn'. Overall, I thought the premise of this book was excellent - there were some truly heartbreaking scenes, particularly the ending, and some incredibly shocking moments. I really enjoyed the first pages or so, with the story of Bone's birth and her mother raising her in the earlier years, and the first encounter with Daddy Glenn. Her family members as well are all excellent, well-rounded characters who fly off the page and have buckets of personality.

However, I found that I was gradually losing interest through much of the middle-section of the book. I felt that the focus of the book, on Bone's home life and the abuse she had to deal with, became almost secondary to random tales and exploits with other family members. Although this was a bit of a relief in a way, as I wasn't having to read about truly horrific things, I still felt like the momentum that had been building in the novel was lost.

Every time I put it down, I struggled to pick it back up again, and felt my eyes glazing over a lot of the time whilst reading. It definitely picked up again towards the end, but I just felt like the book was overly long which took away from the central plot. I can completely understand why people adore this book, and I think it's a great coming-of-age book in a way. But I can't deny that I struggled to maintain an interest in this for the majority of the book, and it just didn't live up to my expectations.

I would love to see the film adaptation of this however, as it appears to be very loyal to the original text. I just wish that the plot had been a bit more focused and well-defined. Usare nella fiction elementi di vita vissuta e renderli verosimili richiede un lavoro molto accurato: In tempi come quelli di allora, ma anche come i nostri attuali che ci portano immediatamente ai fatti recenti di Cinisello Balsamo , vengono i brividi a pensare alla censura di opere che, come scrive Allison, dovrebbero solo poter permettere alle vittime di riconoscersi: Ecco quale doveva essere lo scopo del mio romanzo: Ma la storia si ripete, nel in California, dove un altro consiglio scolastico a Fremont, vieta la lettura de La Bastarda della Carolina ai propri studenti.

Indomita, testarda, resiliente, e capace di grande compassione: View all 4 comments. Jul 11, Lewis rated it it was amazing. A contemporary classic, this powerful novel is a disturbing tale of child abuse, told with wisdom and restraint. Allison deftly captures the psychological nuances of the situation at the same time, making clear to the reader some things A contemporary classic, this powerful novel is a disturbing tale of child abuse, told with wisdom and restraint.

The ending is heartbreaking, as we see that the scars of abuse are not only physical; it is emotional betrayal that has the longest-lasting effects. Closing this amazing book, one wonders how any of us survive childhood at all. Jul 15, Lee rated it did not like it Recommends it for: Shitty book.

Not badly written-characters not flat or cardboard. So I really had to ask myself, "Why is this book so bad? Why did I dislike it so much? Sure, stuff happens. It's not logged down with too much detail, or badly executed, or anything like that. The story, the events, the plot itself, is one of the most boring I've ever came across.

We have this little girl. She's born into bad circumstances, and that's okay. But then bad shit happens to her. Again Shitty book. Lather, rinse, repeat repeat repeat. No conflict, no real struggle, just all this bad shit happening, and it damaging her. By the time something finally happens in the end, you've given up and slunk into weary page turning, all interest having fled.

Hey, at least I got a thrill when the librarian said "bastard" when she was announcing my fines. On her web site Dorothy Allison says "What I am here for is to tell you stories you may not want to hear. It is a beautifully-written semi-autobiographical account of a childhood in ss South Carolina.

The protagonist, nicknamed Bone, is a victim of poverty and physical abuse, including sexual abuse. But she is also part of a big extended family, all of whom are poor, uneducated, loving, and protective. Allison lived this story a On her web site Dorothy Allison says "What I am here for is to tell you stories you may not want to hear.

Allison lived this story and knew these people, which is why she is able to write about them so convincingly. Bone's mother is a complex and interesting character who either chooses not to protect her child or is unable to do so because she perceives her choices to be so limited.

Allison probably believes the latter—-she dedicated this book to the memory of her own mother. But either way, she seems to have an admirable capacity for forgiveness. As wonderful as this book is, it did lag a bit for me at parts, which is why I gave it 4 stars rather than 5. It's still an amazing book! Feb 04, Bobbieshiann rated it it was amazing Shelves: Yes, i know this is a fiction book but it felt so real to me.

To watch this little girls battle with herself, her mom, daddy glen, and family members only to be left alone is shocking. You watch her mother be displayed as beauty on a WOW! You watch her mother be displayed as beauty on a platter.

View all 7 comments. One thing I know for sure is that Bastard out of Carolina is, in the end, a very conservative book. Its focus is on the family.

Ruth Anne Boatwright is a girl born the titular bastard to a teenage mother, Annie, and an absent father. All the wh One thing I know for sure is that Bastard out of Carolina is, in the end, a very conservative book.

All the while, Annie turns a blind eye, or sees what's going on and gets really upset but then goes crawling back to Daddy Glen because she can't stand to be alone. The novel ends with this reconciliation between daughter and mother than rang, to me, completely false and sentimental. Another problem I had with the book was its point of view. I don't remember what the problem was, exactly, just that a problem was had. I think it had something to do with the fact that for much of the book Ruth Anne doesn't do anything but watch her colorful family members yell and lie at one another.

And then this combined with the book's insistence that we never question Ruth Anne's perspective on herself and the events of her narrative. I fully submit that this is a matter of personal taste, not one of literary ideals or whatever. Like, I like my first-person narrated novels to be a bit more aware of the inherent unreliability of every first-person narrator ever. Bad memoirs are completely ignorant of this.

Novels, though, usually know better. Or, at least, they should. Nov 13, Dree rated it really liked it Shelves: But I guess thats real life for you!

I know Glen got beaten up once by the uncles, but it seemed like it was to satisfy their blood lust rather than to help their niece. Bastard Out of Carolina 1 3 May 28, Bastard Out of Carolina; 4 Stars 2 14 Dec 19, Do you think Anney will leave Glen before she learns of what he did to bone?

February - Bastard Out of Carolina 8 27 Feb 20, Readers Also Enjoyed. Videos About This Book. More videos About Dorothy Allison. Dorothy Allison. Themes in Allison's work include class struggle, child and sexual abuse, women, lesbianism, feminism, and family.

Allison's first novel, the semi-autobiographical Bastard Out of Carolina, was published in and was one of five finalists for the National Book Award. Allison founded The Independent Spirit Award in , a prize given annually to an individual whose work within the small press and independent bookstore circuit has helped sustain that enterprise.

Books by Dorothy Allison. Trivia About Bastard Out of Ca Quotes from Bastard Out of Ca He will show you your path in His own good time. Welcome back. Just a moment while we sign you in to your Goodreads account. Lit Chicks Podcast: Bastard Out of Carolina. Play Book Tag: Bastard Out of Carolina; 4 Stars. Louise Erdrich. Girl at War. Sara Novic.

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